Showing posts with label Death. Show all posts
Showing posts with label Death. Show all posts

Monday, February 3, 2014

The Anchor Cross

 

Is this an anchor or is it a cross? The answer, it is both. Not only is it both, it is a truly ancient Christian symbol.


So why did Christians think to combine the two? The anchor has long been seen as a symbol of hope and faith. Going to sea was a terribly dangerous thing to do and many never returned. It was a leap of Faith just to venture out. There have been many times in history when Christians have been persecuted, this particular symbol became their secret declaration of faith.

One of the first examples of the creation of this symbol can be found around 100 A.D. The emperor Trajan banished the fourth pope, St. Clement, to the Crimea. When the pope converted the people there, Trajan ordered that Clement be tied to an iron anchor and drowned. Tradition holds that the sea then receded three miles to reveal Clement's body buried by angels in a marble mausoleum. Whether all the details of this tale are exactly true or not, but the story of Clement's martyrdom clearly inspired the persecuted Church.

During the Roman Empire Christians were terribly persecuted. Even fed to lions as entertainment.

The Roman Emperor Constantine (306-337) actually converted to Christianity. The cross replaced the anchor as a source of encouragement to believers in troubled waters. It was no longer needed by Christians to secretly identify themselves, as now the Empire formally embraced the religion.

Other scholars, though, think the anchor slipped from use because the "symbol" was actually a word play in Greek—ankura resembling en kurio, or "in the Lord"—which disappeared as Christians chose Latin over Greek as their primary language.

 The anchor did reappear in the 1600s, when it experienced a two-century renaissance, particularly as a symbol engraved on tombs.


Today if you search, you can still find this ancient cross used on tombs. Now you know what it means.


Monday, September 9, 2013

How the Civil War taught us to deal with the business of death.

The American Civil War was a brutal war but it brought on great awareness of how to handle and bury our war hero’s.

The government for both the North and South saw the coming conflict as a war that would not last much more then 90 days. A grave underestimate all around, they would soon would find out that the war would continue with unfathomable loss of life. Neither side was prepared for the numbers of dead that they would suffer.

There was absolutely no structure in place on how to identify or how to handle thousands of dead soldiers.

After word of a battle, whole communities went on a quest for information on who may have become a casualty. With no responsibility on either side for notifying the next of kin, newspapers from both north and south published long lists of the dead after every major engagement, taken from official military reports - which were not always accurate. So people went missing; people went buried unidentified or miss identified and the missing in action disappeared.
Zouave ambulance crews remove the wounded from a battlefield.


Imagine your loved one being 18 years old, he leaves for war, far from home. You later read your sons name in the newspaper as dead. Or maybe you receive a letter from one of his comrades explaining that your son has died and he was buried in a shallow grave or worse, a mass grave upon the battlefield...

 

Now it is up to you to either let him rest eternally there, to make the trip to yourself to locate his remains, or to possibly pay someone to locate the remains, retrieve them, and hope the that body is successfully shipped back home to you.


One of the major problems was trying to trying to identify the thousands of bodies after a battle since dog tags had not been issued yet. Many men were reported as missing presumed dead only later to be found wounded in a hospital or in a prison after being taken a prisoner of war. It was the responsibility of the  field commanders for identification and burial efforts. However, these efforts were not well organized or executed, and were often given low priority. 

A privately purchased Civil War ID tag


In order to help them go home if they became a casualty, men would soon start pinning their names inside their coats and some would buy a brass tag from a sutler with their name, regiment and state stamped onto it to. These were not government issued to soldiers. Modern forms of soldier identification, i.e. dog tags would not come about until WWI.





 If you could afford shipping the body home you then would be challenged on how to preserve the remains in order to hold a viewing. Bodies were sometimes packed in ice or just shipped in a pine coffins. Nurses would sometimes gather flowers to be placed within the coffin to mask the stench of the decaying remains. Occasionally the people who were hired to locate and ship the remains home would lie about finding the remains and have stones placed within the coffin. This would simulate the weight of a body and ensure a payment for their "efforts". It would be a terrible shock to the family if they decided to get one last look at their loved ones. 

Embalming, which was used to preserve for medical studies, would soon be used to preserve remains for shipping... for a price. Thomas Holmes who pitched himself as the father of embalming and was given the rank of captain in
the U.S. Army Medical Corps would charge $50 for an officer and $25 for an enlisted man. As the war continued and embalmers were in high demand, those figures rose to $80 and $30, respectively. Feeling he could make even more money if he worked in the private sector performing the same duties, Holmes resigned his commission and began to charge $100 per embalming.

As surgeons and pharmacists became aware of the profits to be made from embalming, they traded in their instruments for those of embalmers and followed the troops into war. After the battle, the embalmers would converge on the scene and quickly find dead officers to embalm, knowing that the family of an officer would be grateful and able to pay the fee. One embalming company went so far as to try to obtain a government contract to embalm all Federal dead. A bill was introduced to allow the creation of a corps of military undertakers for each division, but it was never passed.


To market embalming, a Washington embalmer showcased an embalmed soldier in a display window for days.

Richard Burr, a Union surgeon who served with the 72nd Pennsylvania Volunteer Infantry, became an embalming surgeon when he saw the profit to be made. Known for severely inflating the price of embalming services, he created and distributed handbills after the battle of Anita offering “Embalming for the Dead.” The handbills invited the curious to watch the procedure.

Some remains were sent to the wrong families who were shocked when they opened the wooden coffins to find out that it wasn't their loved ones inside...

One such story "The Stranger" comes from Gray, Maine:

Upon hearing of the death of their loved one the family of Lt. Charles H. Colley, Co. B., 10th Maine Vol. paid the government for embalming and transportation of the remains. When his body arrived they opened the casket in farewell. Instead of their son, they found a fully uniformed Confederate soldier. They were grief stricken but finally decided to bury the lad in a Gray Cemetery. That no ill will was borne the soldier was evidenced by the erection of a tombstone over his grave shortly after. Inscribed on the slab was, "Stranger-a soldier of the late war. Erected by the Ladies of Gray." No one knows for sure how the mistake was made. Lt. Colley's body arrived shortly after. He is buried about 100 feet southwesterly from the Stranger. Local historians guess that both Lt. Colley and the Confederate might have been wounded in the same battle, hospitalized together and both must have died about the same time. And there's always the possibility that the Confederate soldier may have been named Colley. Similarity in names could have accounted for the error.

With the awareness of the amount of bodies needing burial Congress approved the purchase of land in 1862, twelve military cemeteries located on or near major battlefields, Union camps and hospitals, and other military sites were authorized. Most of them, including Robert E. Lee's estate, which became Arlington Cemetery, were on Southern soil. In the midst of the war and in the immediate aftermath these cemeteries made profoundly political statements about Northern power, resources, and determination.

 The sheer numbers of those needing gravestones also altered the way in which we carved final memorials in general... but that, as they say, is the stuff for yet another blog.



Thank You to 
Daniel Meehan,

Civil War Historian 
and Reenactor,
for sharing his vast knowledge and expertise on this topic.

Thursday, July 25, 2013

the Long S


Have you ever walked through a very old cemetery and become confused as to what a stone was trying to say? Or looked at an epitaph and wondered why in the world a letter -f- was used in place of an -s-?  If so, you have witnessed first hand the confusing use of the long s.

The word pass appears as pafs and wise looks like the word wife.

For years I have wondered about this character in Colonial script. Why did they use this -f- letter... and what were the rules dictating it's use? Some words had it, others didn't... some words that contained double -s- had both the -f- like letter and a normal -s-.  I asked teachers and historians alike but with no suitable answer to my question. Everyone had the same answer... "I'm not sure."

The problem was... neither were the Colonists who etched it into their memorials and that's the reason it's not used today.



Let me explain:

What you are looking at is referred to as the long, medial or descending letter s represented by what looks like a lower case f.

The true lower case s we are accustomed to using today is referred to as the short, round or terminal s.

From here on I will make reference to long and short s forms.

The long s came from early Roman cursive. After dying out, it was picked up again in usage sometime in 1400's by Italian printers. It was quite a fashionable trend. The long s also came in 2 forms, with and without a nub. When appearing, the nub is always placed to the left of the letter.

It wasn't used exclusively by the Italians though, the Germans also used this character in Blackletter typeface.

Here are some of the complicated rules on how to use this letter:


When a font containing long s is used, German typographic rules require the short s to be used when it occurs singly at the end of a syllable, while long s is used at the beginning of a syllable.  The short s appears at the end of each word within a compound word. This is why some call it the terminal s - it comes at the end. Where as the long s comes in the middle and is sometimes called medial s.

Confused yet? 
Yes, and so were most people!
 
These rules were broken all the time.

 Notice the last two pictures on the left. They belong to a husband and wife, both were carved within about 10 years of each other. Sarah's stone makes reference to her husband - Joseph - using a short s. While on Mr. Belknap's stone his name is spelled out with a longs s. Same name two different usages of the s.


  The use of any typeface using the long s fell out of favor in the US and Britain within the early 19'th century about 1810, although handwritten samples can be found into the 1860's. It is said that confusion and even those suffering from poor vision, all led to the demise of this font trend. In a population that wasn't terribly literate, it was just too complicated.



Today those who use the long s do so to catch the eye only.  It's modern use is as buried as the Colonials who so long ago etched it into stone.




Wednesday, July 10, 2013

Taphophile Corner - Displaced Honor



Over the years as I make my way through cemeteries gathering Civil War veterans burial information, I have noticed a common occurrence, one of misplaced GAR flag markers. 


The GAR (Grand Army of the Republic) was an organization much like today’s American Legion and was made up of honorably discharged Union Veterans, not every veteran joined the GAR but those who were members would receive a flag holder for their grave so a flag could be placed for Decoration Day.

But as I make my way across states and cemeteries I see the same theme, that of these markers on the wrong graves, such as a child’s grave, that of a woman, on a man’s grave who was not even born during the Civil War and even propped up near a fence. 
Women were not permitted to be G.A.R. members

I have had the chance to talk to some cemetery groundskeepers who have told me that the markers are moved a lot of times so they can mow around a stone and then either forgotten about or misplaced.

 A person whose relative who fought in WWII needed a flag holder and this GAR marker on a grave seemed like a good holder, and even some cemeteries will help a person remove the marker to place elsewhere. 


The reasons are many of why they are removed and still some are removed and sold on Ebay,  

which is against Ebay policies. In some states it is against the law to even sell these.


One day I walked into a cemetery office and asked about the misplaced markers. I was told that they had no idea of what to do and for me to just fix it if I like…WHAT!!! Ok, so I can just remove any grave marker??? I know there were laws protecting grave markers. What about cemetery rules??? 

Born after the Civil War - could not have earned a G.A.R. marker

Before removing a marker you need permission from the cemetery commission and from a relative of the person whose grave it is on. That can take a long time and research.


But I am starting to notice that this trend is now not being limited to just the GAR markers but is also effecting other veterans from other wars. It is sad that these men and woman who gave so much and asked so little can not even keep a simple flag holding to honor them, just because someone is too lazy to buy their own or to replace it correctly after mowing.

One day I was talking with a member of an American Legion and he asked me to ID an item. He showed me a GAR Marker, I explained to him what it was and the organization. He told me that the Legion Post had a 55-gallon barrel full of them and they were going to scrap them because they didn’t know what they were. I took them all and have since replaced them back into their local cemetery.


 I am a believer also that the correct marker should be placed at the correct grave, GAR or Civil War Vet for Civil War Veterans, Span Am for Spanish American Veterans, WWII Markers for WWII Vets.

 

I have been seeing VFW Markers for Civil War Veterans and this is a miss representation as there were no VFW’s around at that time and if you want to spend the time marking graves then it should be done with the right marker. 





A special Thank You to Daniel Meehan my guest blogger. 

Daniel has spent countless hours in the cemeteries of New Hampshire documenting Veteran's graves and compiling their photos and histories. Daniel is a War reinactor as well as a Veteran advocate. He was intricately involved in the moving and honorable re-interment of a Civil War Veteran and his family due to a construction project in his area. Daniel personally provides the flags to various cemeteries in his town since the VFW has refused to do so. He feels passionately about honoring the service of Veterans across the board and I believe, was the perfect person to speak on this topic.

Tuesday, June 26, 2012

the Siren's song


Siren Song  n. An enticing plea or appeal, especially one that is deceptively alluring.


The Cemetery and Mythology... not a combination one sees very frequently. That's why I was pretty excited to find the image above.

This is the stone was dated 1849 and belonged to a 53 yr old man. The cemetery is on the Coast of Maine and holds countless ship captains. There are images of anchors and boats of all kinds on various stones here. Stories of bravery and tragedy.


Could this be a grieving wife.... yes. It may even be the classic image of the Virtue - Faith.

But, this imagery makes me think it could be even more than that. The parted curtain symbolizes the entry into Heaven. The anchor, a strong symbol of a life on the Sea as well as that of Christian faith. The finger pointed upwards, yet another sign of the final reward.

Then there is the woman herself. The first thing that struck me was her long Lady Godiva style hair. A long flowing dress with what looks like bare arms.

This would have been irresistible imagery in the mid 19'th century. Is she not a wife but a temptress maybe?



So what exactly is a Siren?





Sirens were dangerous creatures who lured mariners with their beautiful music and enchanting voices to an untimely death.

They were considered the daughters of the river god Achelous. There were said to be between 2 and 5 of them existing off the islands of Greece. There are two Sirens referred to in Homer's tale the Odyssey. As well as more references in the Iliad.

Though these creatures are tied to the Sea, they are not sea maidens and are not to be confused with mermaids. In fact they are not fish-like at all.

The earliest Greek images portraying Sirens showed them as large birds with female faces. They sang like birds and were granted wings by Demeter.





This pottery portrays an interesting legend. 

It is said that Odysseus was curious as to what the Sirens sung in their song to him, so, on Circe's advice, he had all his sailors plug their ears with beeswax and tie him to the mast. He ordered his men to leave him tied tightly to the mast, no matter how much he would beg. When he heard their beautiful song, he ordered the sailors to untie him but they bound him tighter. When they had passed out of earshot, only then was Odysseus untied.


The depictions of Sirens have changed over time as they became less bird like and portrayed more as femmes fatales.

There have even been references to them as the muses of the underworld.

Descriptions are also found of them on the islands, "lolling there in their meadow, round them heaps of corpses rotting away, rags of skin shriveling on their bones."  Not your average maiden.


With all of the death in the 19'th century by men making their fortunes from the Sea, it is no wonder the legend of the Siren may still be found in the cemetery. Though it's origins are Greek, the Siren appears any place in the world where people feared for their lives and the unknown.  Even in a small cemetery off the coast of Maine.




Monday, June 18, 2012

the Obelisk


The obelisk is one of the most classic shapes in the cemetery. But did you ever wonder what inspired it's design?

Say obelisk and no doubt the Washington Monument in our Nation's capital comes to your mind. It's one of the most famous obelisks in the world. But this shape is also found everywhere in 19'th century cemeteries. Shapes are important in cemetery art... design always has meaning.

The answer can be found in Egypt.


The Egyptians were absolute masters in forming monuments and statues that would stand the test of time. Monuments dedicated to Pharaoh were commonly portrayed as sitting. All arms and legs were carved compactly situated to the bodies. Over the ages, there were no long outreaching arms to break off unlike many Greek statues. The compact Egyptian design held up beautifully over time. They truly mastered shapes that were meant to hold up.

A main deity in the Egyptian religious beliefs, was the sun god Ra. Life was seen to come from Ra but death was also connected. The dead were buried on the west side of the Nile where the sun was seen as dying each day. On the flip side, the living stayed strictly on the east side of the Nile... here the sun was daily reborn.

The obelisk shape is said to symbolize a ray of light, associated with Ra.  Also known as a light pillar or solar pillar. It's four cornered base is solid and thicker than it's top, allowing it to withstand more than a simple pillar. A light pillar is a visual phenomenon created by the reflection of light from ice crystals with near horizontal parallel planar surfaces. The light can come from the Sun (usually at or low to the horizon) in which case the phenomenon is called a sun pillar. It can also come from the Moon or other sources such as streetlights.


 
Did you know that the obsession that fueled the obelisk movement in America had a name?

The term "Egyptomania" was coined in part due to ... Napoleon?

Yes, we have Napoleon to thank for introducing America to the "All-Things-Egyptian Craze".  Napoleon's Egyptian Campaign from 1798-1801 introduced the world to Egypt and it's culture. In the early 1800's books were being published on Egypt and the fever began to spread rapidly. There wasn't a single piece of American culture that wasn't suddenly influenced by this new trend. This was seen especially in the cemetery.

After some time the obelisk also began to take on some variations. As we see in this photo to the side, they didn't always have a simple pyramid top. Some were topped with urns.

The urns are also of Egyptian origin - (the canopic jar)

Some had small angular roof peaks. We call these vaulted obelisks.

While others had crosses attached to the tops.










Even traditionally shaped stones, like this slate, added the obelisk image .




















This truly massive obelisk towers at more than 30 feet high. A grand representation to a family's wealth and social status.










Some obelisks incorporated other traditional icons such as the classic willow or maybe a dove indicating a lost child. Multiple layers of meaning...




Hope you enjoyed this post and explanation.


Tuesday, June 5, 2012

Pointing Finger & Hand Stones

"I am not afraid" - captions a finger pointing upwards.
I want to take a moment to explain one of the most interesting and confusing icons of the cemetery.

I have accumulated quite a collection of them over the years.

The hand is a life symbol. When a finger is pointed upwards it is a message of faith. The person believes that, though the body has failed, the soul now continues upwards to Heaven.  Additionally on the stone above, the finger is seen pointing toward a broken chain, yet another life symbol. A link has been broken so the chain (or life) now ends. A statement of faith is added in "I am not afraid." For those of faith are said to never truly die.

One question I am asked more than anything else seems to be...

"If a finger pointed upwards means the person will go to Heaven, then what does a finger pointed downwards mean?"

This question seems to really upset people. Like a Victorian equivalent to the Puritan Death Head in the scary department.

The answer is very simple.

This is the hand of God. 

Man is not supposed to portray God as an image, it is blasphemy to do so. All we know about God's appearance is that Adam was made in his likeness.

Since the Bible refers to the "hand of God" often,  it was then deemed appropriate to show just that much of God on stones, just a hand.

This stone above is from Scarborough, Maine and it's one of the nicest I have found to demonstrate this point. Notice the heavenly clouds and radiating light? The finger also points to the Bible, again - a symbol of the faithful. This is such an amazing set of images!

Sometimes the finger is seen pointing to additional icons. Like the finger at the top which pointed to the broken chain.

This finger to the left, points to a heavenly star image.

Take notice the sleeves on hand. The stone to the right has a fancy, full sleeve complete with lace. It belongs to someone's wife. 

Another variation on the hand is the shaking hand. Looking at the sleeves is important on these images.

Two masculine sleeves is a symbol of God grasping Man's hand and bringing him into Heaven.

If one sleeve is feminine and the other masculine, it is seen as a matrimonial symbol. Husband and wife, one welcoming the other into Heaven.



The final portrayal of the hand on a stone is that of hands clasped in prayer. Again, a symbol of a person's faith.


Hope you enjoyed this explanation of the pointing finger and hand icons.

Now, it's time to get out there and find a few of your own to share!

If you'd like to share your images, you can post them on the Taphophile Corner Group Page on facebook. 

https://www.facebook.com/groups/173533606049437/

or follow me on twitter: @Taph_Corner

Monday, May 7, 2012

the Cemetery Moon...

Super Moon in Mt. Pleasant Cemetery. 05/05/12
This past weekend, not only did people celebrate Cinco de Mayo, but many went out that evening to witness the 2012 Super Moon.

Living in New England, I grew up hearing some really amazing superstitions and beliefs. Not knowing any better I ended up believing in most of them. Who was I to question Fate?

So very many of these tales concerned death  - what could prematurely speed up it's arrival and those things that were said to surely foretell it.

Even the moon is tied to death folklore.

Growing up part time on an island in the Bay of Fundy, I witnessed first hand the power that the moon has over the tides. The Bay of Fundy is known for have the highest and lowest tides in the world, mix in the new moon and full moon twice a month and you have extra massive tides! These super high tides are also known as Spring Tides. As the water seems to spring up even  higher than normal.

The moon controls the tides in the Bay of Fundy
So what does the moon and tide have to do with the cemetery?

At one time, it was a commonly held belief for those keeping a death bed vigil, that a dying person would only relinquish their hold on life during an ebb tide. (low water) If they made it through the ebb and the water began to once again rise, the person would live until at least the next ebb tide. Then the process of watching and waiting began again. If the person did pass, another custom was that at no time would the body be left alone. I actually have family members alive today that can remember this practice. Even during the overnight hours and until the time of burial, someone needed to accompany the body every single minute.

So, are the veils between the worlds thinner during a full moon? Take a walk through a cemetery on a full moon night... and you tell me.